Author: AanenLumoWebsite

  • 13.2.2021 / ÄÄNEEN – Sonic Arts Month: Learning by Ear – Talk & Concert on Sonic Pedagogy

    13.2.2021 / ÄÄNEEN – Sonic Arts Month: Learning by Ear – Talk & Concert on Sonic Pedagogy

    Illustration: Anna Ypya Olarte

    Learning by Ear is an evening of sound and discussions around sound. The guests of the evening have different, often entangled, roles related to sound: as sound practitioners, pedagogues and sound students. During the evening they will present their reflections, their practices, and their art.What does it mean to learn, make, and teach sound practices in the context of new media technology, where often the instruments and the practices are invented, learnt, and even taught in the same process.

    17:00 -18:45 Presentations and discussions
    19:00 – 21:00 Concert

    Welcome to join zoom discussion before and after the event IN THIS LINK!

    ***

    Antti Ikonen: Designing Sounds for a Children’s Hospital

    In this talk, I will introduce an actual large-scale interior sound design project in order to delineate the characteristics of sound as an element, material, and subject of discussion in a bigger planning context. The Helsinki New Children’s Hospital was completed and taken into use in 2018. Aside from patient rooms and facilities for medical operations, large areas of this hospital are being equipped with loudspeakers. The loudspeakers are used to play a generative ambient soundscape specially designed and tailored for the hospital.

    Contemplative listening is the most crucial skill and fundamental method when designing sounds for specific environments. It is essential to know the ingredients and understand the behaviour of the soundscape in question, and especially when using generative methods in (re)constructing or (re)creating a soundscape this cannot be fully achieved without listening for an extended period of time. Furthermore, soundscapes and aural interiors can be listened to in a reduced way as they were ambient music.

    ***

    Alejandro Olarte: Did I just make an experimental sound performance? – Serendipity between the lab and the stage.

    In this presentation, I will explore different aspects of the experimental attitude lived as a sound artist, researcher, and pedagogue. Where does the artwork live? in the experimentation? in the planning? in the afterthoughts? Did I just create an instrument, a performance, a composition, an experiment, a patch, a sample? Where and how is the audience involved? Can this be taught at all? Why do we still ask those old questions?

    ***

    Marloes van Son: Objects of expectation – The layers of a sound-device

    During this talk I will unpack some layers of my sound-device building and performance practice: How does the visual design of a sound-object influence our interaction with it? How to facilitate intuitive ways to interact with different interfaces? What expectations do certain designs create and how to transform these expectations into curiosity?

    ***

    More thoughts and sonic contributions: 

    Hannu Ikola (SiBa)
    Natalie Monica Roe (SiBa)
    M Wingren (Aalto)
    Philippe La Grassa (Aalto)

    – –

    Antti Ikonen (MA) works in Aalto University as lecturer of sound design and music, the head of Sound in New Media Master’s studies and a member of Sound and Physical Interaction research group. Ikonen’s work covers music and sound design for a wide range of different kinds of media, performances and works of art, including contemporary dance, theatre, short films, radio plays, art installations, and new media. His current research relates to Helsinki New Children’s Hospital soundscape which was designed and realised by Ikonen and his students. In 2019, the soundscape project was awarded with Grand Prix in International Sound Awards in Hamburg, Germany.

    Alejandro Olarte: I am an electroacoustic musician devoted to pedagogy, artistic research, live performance, and digital lutherie. I am a lecturer in Electroacoustic Music at the Sibelius Academy, Center for Music and Technology of the Helsinki Arts University. I am a Doctor of Music graduated under the supervision of Andrew Bentley with a project called “Elements of electroacoustic music improvisation and performance” available here. I studied classical guitar and electroacoustic music in Colombia with Ramiro Isaza, Roberto Garcia, and Horacio Lapidus between 1995 and 2001. In 2009 I graduated from Generative Improvisation and Musical Acoustics at the National Conservatory of Paris under the guidance of composer Alain Savouret and engineer Charles Besnaionou. In 2010 I completed studies at Paris University in Computer Music with Horacio Vaggione and Anne Sedes. My interests are electronic experimental music, sound art, computer music, performance art, experimentalism, and cross-disciplinary collaborations. I love supercollider and modular synths, and my biggest passion is to teach and learn.

    Marloes van Son builds sound objects and digital synths. She uses these in combination with graphic scores, layered vocals, occasional beats and field recordings in experimental compositions. Using her self built instruments she creates atmospheric soundscapes with a pop twist. She performs both under her own name and collaborates with Alex van Giersbergen in their audiovisual project ALOES. http://marloesvanson.nl/

    – –

    Ääneen – Sonic Arts Month in February 2021 is realised in collaboration between MUU ry, Äänen Lumo, and several actors in the local field of sonic arts. The programme has been formed through an open call for co-curation and the events are supported by Niilo Helanderin säätiö and the City of Helsinki. Due to the recent development of the pandemic, the festival collaborates also with Station of Commons, a collaborative initiative on digital commoning practices. 

    Why is it often difficult to imagine alternatives in our culture?
    You can read more at: https://stationofcommons.org/events/expanding-the-frame-re-appropriating-the-video-object

    www.stationofcommons.org

    INSTRUCTIONS FOR STREAMING 
    – In order to watch the stream we recommend downloading the VLC media player (the best free and open source multi-platform media player there is). https://www.videolan.org/vlc/index.html
    – Once installed click: File -> Open network, and copy paste one of the following links: https://streamer.nettitila.fi:8443/video1 or http://streamer.nettitila.fi:8000/video1. Wait for a short moment and you should see the video window open.
    – More instructions are available: https://www.vlchelp.com/stream-online-videos-pc-vlc-media-player/
    – Or you can go to the Station of Commons website: http://www.stationofcommons.org/peers/aanen-lumo and follow the instructions. 
    Enjoy!

    More info about ÄÄNEEN – Sonic Arts Month:

    www.muu.fi

    www.aanenlumo.com 

  • 12.2.2021 / ÄÄNEEN – Sonic Arts Month: Station of Sounds – Vol. I

    Pictures:
    (top left) Freja Bäckman: I was told I chop wood like a ballet dancer (On Circles) (2020)
    Cover Design: Ebba Fransén Waldhör
    (top right) Samuli Tanner: Music for 1-Year-Old (2021)
    Cover is a painting by Arsi Keva based on the original CD artwork.
    (down left) MYÖS collective.
    (down right) Free Frags / Steeve Bauras: Ohne Titel (2020)

    On February 12th, the first session of the in-the-future-recurrent event Station of Sounds takes place. Station of Sounds is realised within the context of the Station of Commons platform. It is a moment of discussions on the mode of production of physical objects related to sound form. What motivates the production of the physical object and how to articulate the artistic and political discourse embedded within the materiality of the object? During the session, four artists discuss their relationship to sound through playing their own latest physical production or releases of interest. After the discussion, we listen to the record under discussion played from a turntable.

    https://stationofcommons.org/events/station-of-sounds-vol1

    19–23 (EET) / 18–22 (CET)

    You can listen to the interviews on the Station of Commons website:
    https://stationofcommons.org/events/station-of-sounds-vol1

    The guests:

    Freja Bäckman (FI):

    Freja Bäckman is a multidisciplinary artist, educator and researcher based in Berlin and Helsinki, currently a resident at HIAP. Their practice consists of performance, sound, text, installations and workshops. They have recently published the vinyl record I was told I chop wood like a ballet dancer (On Circles) with Coda Press/Scott Elliott, in close collaboration with sound designer Manuela Schininà.

    Free Frags / Steeve Bauras (FR):

    Free Frags is a record label created in 2020 based in Paris. Free Frags states that “The manufacturing principle of a vinyl, a large scale reproducible engraving, gives to this object a memory status that can be compiled and archived”. The aim is to create a specific object at crossroads between sound and visual arts.

    Samuli Tanner (FI):

    Samuli Tanner is an electronic music composer & drummer from Finland. His experimental electronic music has a strange appeal: clumsy on purpose, sometimes dark, sometimes syrup, sometimes makes you dance, sometimes falls to pieces. Samuli has previously worked under the names Siihhi, Worldbank and Ponytail. He also works in groups like Myttys, Tiiu Helinä, Mustat Kalsarit & Market.

    MYÖS (FI): DJ’s Cute Cumber, Valley Girl, & twenpettie

    MYÖS is a Helsinki based DIY collective, party platform and co-care network for genre-fluid electronic music DJs, producers, organizers, party lovers and allies of currently underrepresented actors in the Helsinki club scene.

    – –

    Ääneen – Sonic Arts Month in February 2021 is realised in collaboration between MUU ry, Äänen Lumo, and several actors in the local field of sonic arts. The programme has been formed through an open call for co-curation and the events are supported by Niilo Helanderin säätiö the City of Helsinki. Due to the recent development of the pandemic, the festival collaborates also with Station of Commons, a collaborative initiative on digital commoning practices.

    www.stationofcommons.org

    Why is it often difficult to imagine alternatives in our culture?
    You can read more at: https://stationofcommons.org/events/expanding-the-frame-re-appropriating-the-video-object

    INSTRUCTIONS FOR STREAMING 
    – In order to watch the stream we recommend downloading the VLC media player (the best free and open source multi-platform media player there is). https://www.videolan.org/vlc/index.html
    – Once installed click: File -> Open network, and copy paste one of the following links: https://streamer.nettitila.fi:8443/video1 or http://streamer.nettitila.fi:8000/video1. Wait for a short moment and you should see the video window open.
    – More instructions are available: https://www.vlchelp.com/stream-online-videos-pc-vlc-media-player/
    – Or you can go to the Station of Commons website: http://www.stationofcommons.org/peers/aanen-lumo and follow the instructions. 
    Enjoy! 
    Why is VLC used for the streaming of ÄÄNEEN – Sonic Arts Month?
    Because the quality and reliability of the streaming are highly increased by using VLC. Because we know how the software we are using to stream the content operates, and where the data is sitting, and how it is flowing through the net.
    
    Why not to use Facebook, YouTube or other familiar platforms?
    Because we don’t have to. Thanks to open source technology developed by a large community and the expertise of a local community – such as Station of Commons – we want to show that alternatives to proprietary technology, and commercial and centralizing schemes of distributing artistic content are possible and easy.
    
    

    More info about ÄÄNEEN – Sonic Arts Month:

    www.muu.fi

    www.aanenlumo.com

  • 7.–28.2.2021 / ÄÄNEEN – Sonic Arts Month: Song for the Unknown – Installation by Heta Kaisto & Antti Ikonen

    “Song for the Unknown” is inspired by L’Inconnue de la Seine, the death mask of a young unidentified woman who lived in the late 19th century. The story tells that she was found drowned in the river Seine with a smile on her face. Her death mask became a popular fixture on the walls of artists’ homes and has inspired numerous literary works. Later the mask was used for the head of the first aid mannequin Resusci Anne. For this reason, she is also referred to as the most kissed woman in the world.

    Her face and beauty has captivated numerous people throughout the years, however, nobody knows her story. She is mute. “Song for the Unknown” is an attempt to study poetic language as a means to communicate and to reach out to otherness. The installation is a part of Heta Kaisto’s Doctor of Art research, where she studies Maurice Blanchot’s demand of language — its calling-into-question. When language reveals it’s silence and ambiguity it reminds us of its impossibility, its madness and its ambivalence. 

    Heta Kaisto & Antti Ikonen: Song for the Unknown

    MUU Helsinki Contemporary Art Centre / Cable Factory / Tallberginkatu 1 C, 00180 Helsinki, Finland

    7.–28.2.2021 / Tue–Fri 12–17 / Sat–Sun 12–16

    Heta Kaisto: concept, video, voice

    Antti Ikonen: sound design

    Antti Ikonen (MA) works in Aalto University as lecturer of sound design and music, the head of Sound in New Media Master’s studies and a member of Sound and Physical Interaction research group. Ikonen’s work covers music and sound design for a wide range of different kind of media, performances and works of art, including contemporary dance, theatre, short films, radio plays, art installations and new media. His current research relates to Helsinki New Children’s Hospital soundscape which was designed and realised by Ikonen and his students. In 2019 the soundscape project was awarded with Grand Prix in International Sound Awards in Hamburg, Germany.

    Heta Kaisto (MA) is a doctoral student in visual culture at Aalto University School of Arts, Design and Architecture, and currently working as the chief curator of Rauma Art Museum, Finland. She has a background in art history, comparative literature and philosophy, and she takes a deep interest in music and sound. In her practice-based research she explores writing as a mode of thinking in texts, images and sounds in the context of post-war theory and art. As a part of her artistic research, she has co-written and directed a radio play “A Hundred-year-old Night” based on archival materials of the Finnish Civil War in 1918.

    – – 

    The installation is curated by Äänen Lumo and it is part of Ääneen – Sonic Arts Month in February 2021. The festival is realised in collaboration between MUU ry, Äänen Lumo, and several actors in the local field of sonic arts. The programme has been formed through an open call for co-curation and the events are supported by Niilo Helanderin säätiö and the City of Helsinki. 

    Due to the recent development of the pandemic, the festival collaborates also with Station of Commons, a collaborative initiative on digital commoning practices. www.stationofcommons.org Given the difficult circumstances in which the festival is taking place, the gallery spaces can be accessed in person in small groups of max 5 people. We also recommend to keep safety distance and wear a face mask. Thank you!

    More info about ÄÄNEEN – Sonic Arts Month:

    www.muu.fi 

    www.aanenlumo.com

  • 6.2.2021 / ÄÄNEEN – Sonic Arts Month @ MUU Helsinki: Äänen Lumo Concert

    Picture: Joona Mäkelä

    Concert curated by Äänen Lumo will be streamed live from the new MUU Helsinki Contemporary Art Centre at Cable Factory. The evening presents pieces from two artist duos: Viika & Tikka and kohinapisteviiva.

    6.2.2021 / 19–21 (UTC+2)

    Viika & Tikka

    Interdisciplinary collaboration/improvisation between cellist Saara Viika & sound designer/marine biologist Timo Tikka. Sound, vibrations, memories, cello, electronics. Indistinct expressions & fuzzy reception.

    kohinapisteviiva

    A collage of noise composed of human sound and decayed moving images. The performance studies the movement of air through the act of breathing and the use of cinefilm. The audiovisual duo consists of performance maker Minerva Juolahti and musician & filmmaker Joona Mäkelä.

    ***

    Viika & Tikka. Photo: Joona Mäkelä.

    Saara Viika is a Finnish cellist whose musical roots start with classical music and expand through improvisation to all good music and sound regardless of the genre or source. Everyday life sounds peculiar and makes music.

    Timo Tikka is a musician and marine biologist currently studying sound design for performing arts. At MUU galleria he will be exploring a self-made daxophone and a bed of sounds for the said idiophone.

    Musician and filmmaker Joona Mäkelä is interested in movement, both in picture and sound. Working with 8mm film he focuses on material and the layers of time it consists.

    Sound performance maker Minerva Juolahti works in the intersection of body, sound, and space, currently focusing on space and movement by translating, and by observing voice as a corporeal and conceptual phenomenon.

    – –

    This event is part of Ääneen – Sonic Arts Month in February 2021 that is realised in collaboration between MUU ry, Äänen Lumo, and several actors in the local field of sonic arts. The programme has been formed through an open call for co-curation and the events are supported by Niilo Helanderin säätiö and the City of Helsinki. Due to the recent development of the pandemic, the festival collaborates also with Station of Commons, a collaborative initiative on digital commoning practices.

    www.stationofcommons.org

    INSTRUCTIONS FOR STREAMING 
    – In order to watch the stream we recommend downloading the VLC media player (the best free and open source multi-platform media player there is). https://www.videolan.org/vlc/index.html
    – Once installed click: File -> Open network, and copy paste one of the following links: https://streamer.nettitila.fi:8443/video1 or http://streamer.nettitila.fi:8000/video1. Wait for a short moment and you should see the video window open.
    – More instructions are available: https://www.vlchelp.com/stream-online-videos-pc-vlc-media-player/
    – Or you can go to the Station of Commons website: http://www.stationofcommons.org/peers/aanen-lumo and follow the instructions. 
    Enjoy! 

    More info about ÄÄNEEN – Sonic Arts Month:

    www.muu.fi

    www.aanenlumo.com

  • 5.2.2021 / ÄÄNEEN – Sonic Arts Month @ MUU Helsinki: Invenzioni a due voci – Online Workshop

    Image: Emma Fält

    Ääneen – Sonic Art Month at MUU Helsinki / 5. – 28.2. 2021 / MUU Helsinki Contemporary Art Centre / Cable Factory / Tallberginkatu 1 C, 00180 Helsinki, Finland

    In this workshop participants will experiment with sound and drawing techniques online, together with multidisciplinary artist Emma Fält / Drawing Out Loud. Each meeting offers a playground for the participant to engage in a one-to-one sonic / visual improvisations exploring possible dialogues between these different forms of expression. The workshop is open to everyone, professionals and amateurs artists alike.

    The workshop is held remotely on the 5th of February 2021, between 10 and 17. To participate it is possible to book a 45 minutes one-to-one session with Emma Fält at THIS LINK.

    During each online session, which starts at the turn of every hour, the pair creates an improvised dialogue using sonic and drawing instruments of their choice.

    Options could include all combinations of sonic and drawing activities. The participant, for example, can use purely sonic instruments, simple drawing techniques, recording and transforming the sounds produced in the act of leaving traces, using the drawing as notation for their own sound experiments or creating scores for Fält’s drawing instruments. Fält will use frottage ink drawing, suminagashi printing, pencil drawing, microphones and midi controller to interact and to open a dialogue between herself and the participants. During the hours of the workshop, the sounds produced in the process will be broadcasted to MUU Helsinki Contemporary Art Centre at Cable Factory and diffused for the visiting audience to listen to.

    To participate you will need a computer with internet connection (Cable LAN connection, if possible, is preferred over wifi), a web camera and a microphone as well as your chosen instruments/materials. If you are using sound, it is helpful to have a good microphone and if you are willing to draw, it is good to have a web camera pointed on your drawings. When you book your session, you can describe the tools you would like to use in our dialogue. For example, “I am taking part using human voice or I will be using musical instruments and also drawing”, etc. It is important to consider that, due to the online nature of the workshop, delays might occur and perfect synchronicity won’t be possible to achieve.

    The workshop has a playful and experimental nature, so feel free to explore any kinds of techniques you want to explore online.

    Welcome!

    Ääneen – Sonic Arts Month in February 2021 is realised in collaboration between MUU ry, Äänen Lumo, and several actors in the local field of sonic arts. The programme has been formed through an open call for co-curation and the events are supported by Niilo Helanderin säätiö the City of Helsinki. Due to the recent development of the pandemic, the festival collaborates also with Station of Commons, a collaborative initiative on digital commoning practices.

    More info about ÄÄNEEN – Sonic Arts Month:

    www.muu.fi
    www.aanenlumo.com

  • 5. – 28.2. 2021 / ÄÄNEEN – Sonic Arts Month @ MUU Helsinki

    An excerpt of a performance video by Emma Fält.

    Ääneen – Sonic Arts Month
    5 – 28 February 2021
    MUU Helsinki Contemporary Art Centre
    Cable Factory
    Tallberginkatu 1 C, 00180 Helsinki, Finland

    In February 2021 the new MUU Helsinki Contemporary Art Centre at Cable Factory is taken over by sonic arts. The month is dedicated to a collaborative sonic arts festival with installations, workshops, concerts, and talks concentrating on sonic arts. The month starts with an online sound and drawing workshop by artist Emma Fält on February 5th and continues with a concert evening curated by Äänen Lumo on February 6th. Throughout the month the sound installation Song for the Unknown by Heta Kaisto and Antti Ikonen can be experienced in the gallery space. Ääneen – Sonic Arts Month is coordinated by Äänen Lumo in collaboration with MUU, and includes several actors in the local field of sonic arts.

    Read more about the online sound and drawing workshop Invenzioni a due voci by artist Emma Fält on 5.2.2021 HERE.

    MUU ry reached out to Äänen Lumo in 2020 to collaborate in organising a Sonic Arts Month. The idea developed to involve the big network of Sonic Arts communities that Äänen Lumo has been working with in the two-years-long project NeuroVerkko financed by Kone Foundation. The programme of the Sonic Arts festival was formed through an open call for co-curation and Äänen Lumo has acted as the convener and coordinator of the month together with MUU ry. The artists and associations participating in the month are Emma Fält (FI), Antti Ikonen (FI), Heta Kaisto (FI), Third Space, J. Koho (FI), Kati Roover (FI), Marloes Van Son (NL/FI), Alejandro Olarte (CO), Freja Bäckman (FI), MYÖS (FI), Free Frag / Steeve Bauras (FR), Samuli Tanner (FI), Minerva Juolahti (FI), Joona Mäkelä (FI), Saara Viika (FI), Timo Tikka (FI), L O (Lora Dimova (BU/FI)), Marko Timlin (DE/FI), and Ana Gutieszca (MX/FI).

    Due to the recent development of the pandemic, the Sonic Arts Month festival has become a platform for experimenting with hybrid forms of local and remote participation to workshops and performances together with Station of the Commons, a local reality that is an ongoing collaborative initiative on digital commoning practices. Station of Commons was initiated in February 2020 and it investigates the possibilities of reappropriating technology within public space.

    Why is it often difficult to imagine alternatives in our culture?
    You can read more at: https://stationofcommons.org/events/expanding-the-frame-re-appropriating-the-video-object

    www.stationofcommons.org

    Given the circumstances in which the festival is taking place, the events will be streamed and accessible remotely, but MUU Helsinki event space can still be accessed in person in small groups of max 5 people.

    INSTRUCTIONS FOR STREAMING 
    – In order to watch the stream we recommend downloading the VLC media player (the best free and open source multi-platform media player there is). https://www.videolan.org/vlc/index.html
    – Once installed click: File -> Open network, and copy paste one of the following links: https://streamer.nettitila.fi:8443/video1 or http://streamer.nettitila.fi:8000/video1. Wait for a short moment and you should see the video window open.
    – More instructions are available: https://www.vlchelp.com/stream-online-videos-pc-vlc-media-player/
    – Or you can go to the Station of Commons website: http://www.stationofcommons.org/peers/aanen-lumo and follow the instructions. 
    Enjoy! 
    Why is VLC used for the streaming of ÄÄNEEN – Sonic Arts Month?
    Because the quality and reliability of the streaming are highly increased by using VLC. Because we know how the software we are using to stream the content operates, and where the data is sitting, and how it is flowing through the net.
    
    Why not to use Facebook, YouTube or other familiar platforms?
    Because we don’t have to. Thanks to open source technology developed by a large community and the expertise of a local community – such as Station of Commons – we want to show that alternatives to proprietary technology, and commercial and centralizing schemes of distributing artistic content are possible and easy.

    The festival is realised with the support of Niilo Helanderin säätiö and the City of Helsinki.

    Programme

    Exhibition:
    7.2.- 28.2. Heta Kaisto & Antti Ikonen: Song for the Unknown – Sound Installation
    Events:
    5.2. Emma Fält: Invenzioni a due voci – Workshop
    6.2. Äänen Lumo – Evening concert
    12.2. Station of Sound – Vol. I – Talk & Evening concert
    13.2. Learning by ear – Talk & Evening concert
    20.2. Sound Room – Evening concert
    27.2. KUULOLLA – Workshop & Evening concert
    28.2. Neuroverkko – Closing Talk

    More detail on the schedule will be announced soon!

    Inquiries

    MUU Helsinki Contemporary Art Centre / muugalleria(at)muu.fi / www.muu.fi
    Äänen Lumo / aanenlumo.info(at)gmail.com / www.aanenlumo.com

  • 09. – 14.09.2020 / Kaikujen Säiliö

    Kaikujen Säiliö is a site-specific immersive sound piece for brass band and live electronics, written for Öljysäiliö 468, a vast, decommissioned oil tank recently transformed into a permanent light installation and event venue in Kruunuvuorenranta, East Helsinki.

    The piece was written by Andrea Mancianti in 2019-2020 and was scheduled to be presented live in August 2020, as one of the events part of last year’s Helsinki Festival. Due to the pandemic the festival has been cancelled, but in order to support the musicians in those hard days, the production had decided to still carry on tests and rehearsals last year. In addition sonic and visual materials from Öljysäiliö 468 collected during those days, became the elements of the internet based audio-video piece remote/displaced by quietSpeaker, presented at Ars Electronica Festival 2020.

    Kaikujen Säiliö is a site-specific immersive sound piece for brass band and live electronics, written for Öljysäiliö 468, a vast, decommissioned oil tank recently transformed into a permanent light installation and event venue in Kruunuvuorenranta, East Helsinki.

    The piece was written by Andrea Mancianti in 2019–2020 and was scheduled to be presented live in August 2020, as one of the events part of last year’s Helsinki Festival. Due to the pandemic the festival has been cancelled, but in order to support the musicians in those hard days, the production had decided to still carry on tests and rehearsals. In addition sonic and visual materials from Öljysäiliö 468 collected during those days, became the elements of the internet based audio-video piece remote/displaced by quietSpeaker, presented at Ars Electronica Festival 2020.

    A documentation of the rehearsals with the musicians can be found here: www.andreamancianti.com/kaikujensailio

    remote/displaced @ ars electronica garden Espoo/Helsinki

    09–14/09/2020

    remote/displaced allows for an immersive exploration of a virtualized physical space: Öljysäiliö 468, a vast, decommissioned and repurposed oil tank in East Helsinki.


    Due to its shape and materials, its acoustics are extremely peculiar, with long reverberation times, shimmering echoes and immersive radiating patterns. In addition, it is an almost magical site for a modern sonic ritual due to its status as a relic of fossil-fuel culture, its position by the shore, and its nature, in-between a closed industrial space not meant for humans and a shell open to the surrounding land- and soundscapes, that constantly filter and reverberate in its open cavity.


    The project takes the shape of a small collection of brief immersive audio-visual visits to this special remote place, exploring ways to listen to the encounter between sound, technology, space and landscape, as it emerges like a precarious ecosystem, where the boundaries between natural and artificial are constantly renegotiated and deformed by technology.


    In between physical and virtual space, the brass instruments, an array of recycled sonic devices, the light, the wind and the sea waves, filtering through the holes on the metallic reverberant surfaces, transform one another.


    The audience can access the various short experiences using a wide array of technologies, from VR goggles, to mobile phones or personal computers, both remotely and in situ during the festival.

    #arselectronica20

    https://ars.electronica.art/keplersgardens/remote-displaced/

  • OPEN CALL for co-curation at MUU gallery / Cable Factory in February 2021

    Dear Artists, Curators, Associations:

    MUU ry wants to dedicate February 2021 to Sonic Arts and has suggested a month long series of events at their new venue at the Cable Factory. They reached out to Äänen lumo to prepare a joint project for that month. From our side we will curate one evening concert event and one hands-on workshop with Emma Fält, but at the same time, we think this could be a perfect opportunity to join forces with the many actors active in the field to organise together a grass-root sonic arts festival! 

    With this open call we would thus like to collaborate to collectively curate a small series of events (workshops, concerts, installations, discussions, meetups etc) during this Sonic Arts month at MUU gallery at Cable Factory in February 2021. MUU ry will contribute offering a renewed space, marketing, technical tools, staff etc, and for costs that would not be covered yet we will be taking care of applying for funding as soon as we have the bigger picture. 

    This would be also a great opportunity to continue with the collaboration around House of the Sonic Arts that started in 2017. As many of you know, in 2017 Äänen Lumo started reaching out to the sonic arts communities of Helsinki, to map out its actors, interests, needs and struggles, and ultimately rethink the role of the association after 20 years of operation. This was achieved through meetings, discussions and questionnaires, as well as a two-year-long series of sonic events organised in collaboration with other actors in the network like you.

    Now, even though the lack of funding did not allow for more concreteness at this stage, we still strongly believe in this idea and we are reaching out to you again to give it a small scale opportunity. The aim of this call is thus to involve sonic communities to co-curate this festival,  experimenting with curatorial practices, circulation of and access to resources and power, with a blurred distinction between producers and audiences. We would like to create for a month a physical context where the sonic communities, in all their diversity, can meet, share and grow in a democratic, self-organised and inclusive way.

    Äänen Lumo is willing to collect ideas for events, workshops, installations, discussions, meetups and so on, taking the responsibility to coordinate the network and prepare a joint funding application to make it happen. 

    Due to the relatively short time frame and the limits of our resources, we will need to encourage ideas that have concrete feasibility, some resources etcetera, but we are happy to try and find ways to present a diverse, sound based program!

    If you have proposals, please, send a one page description (max.), together with a temptative budget explicitly stating what you can offer and what you would need via email to aanenlumo.info@gmail.com.  

    The deadline for the application is the 8th of August 2020.

    For more information don’t hesitate to contact us at aanenlumo.info@gmail.com.