Author: AanenLumoWebsite

  • 13. & 20.9 / Possible futures of Toinen Kerros

    13. & 20.9 / Possible futures of Toinen Kerros

    Meetings on 13. & 20.9. 16:00 Save the dates!

    Dear all,

    this is the first follow-up message after our meeting on the 17th of May about the future of Toinen Kerros. As the first step to plan the future it is important to ask collectively: if we want TK to continue existing, in which forms can this be possible?
     

    THE CURRENT SITUATION:

    – Toinen Kerros rent and expenses (~40000€ / year) are paid until around June 2027 by the Kone foundation’s grant.

    – In absence of new funding and a common strategy it will be the end of this space.

    We propose to use this last year to discuss together and find a share strategy for TK continue existing.

    To help the process we have drafted a timeline and some scenarios. The scenarios are merely starting points for a collective conversation.
     

    TIMELINE:

    1. Now – September ’26: gathering of interested parties, meetings in person, workshops on strategies, emergence of voluntary working groups (two meetings in September).

    2. October ’26 – January ’27: emergence of a collective proposal.
     

    FINANCIAL SCENARIOS:

    We prepared some plausible scenarios to help start the conversation. However, these are only rough initial ideas and the the actual process will be defined during the meetings / working groups. We are also aware no single solution might cover the whole and most likely combined approached should be investigated.

    Also, none of these scenarios include salaries for people working, which should be financed via a separate system (for example an association’s toiminta-avustus)
     

    1. TK membership / patronage

    Associations/organisers/individuals pay a monthly quota to cover expenses, according to criterial to be decided (use, capacity, other).

    For example, 100 people pay 20€ a month, the space would get 2000€. Individuals and associations could pay different amounts and get different kinds of benefits (free entry, organise x concerts a month, use the space as a rehearsal space or other).
     

    2. TK rental for community activities

    A similar arrangement as it it has been for the current TK. Organisers with more capacity/resources contribute to smaller, more experimental or non-public ones (rehearsals, workshops, etc.).

    Examples: a university organizes a public event they can finance, they contribute by renting the space at market price. If festival x, who receives a grant, contributes by renting out the space. Individuals or small associations could rent at lower fares for a number of activities (recording, rehearsing, workshops, private events). It needs clear rules.
     

    3. TK rental for external activities

    The space is rented to specific activities not directly related to the space’s scope such as: record store / bookshop / popup café / office / other.

    Compatibility with other activities needs to be taken into account, but there could be overlaps, for example a cafe during events? Or they can be limited to the day-time when other activities are not happening.

    It needs to be investigated financially and legally by talking with stakeholders.
     

    4. Crowdfunding events

    Actual crowdfunding “one off” events in which the tickets the public pays is directly used to finance activities.
     

    5. TK private workspace rental

    The private workspace (~80sqm) is rented as an office space to associations or individuals.

    Interference with TK activities/concerts needs to be taken into account.
     

    6. Grants.

    A system of collective or individual grant applications for partial or total funding can and should still be put in place.

    Examples: 1) Association X applies for toiminta-avustus in order to hire people to manage the administrative or technical part of TK. 2) Artists or associations organizing events in TK systematically include rental and technical costs in their grant budget, etc.
     

    7. Your suggestion!
     

    WHAT’S NEXT?

    We invite you to the next two meetings in September, on the 13th and the 20th at 16:00, to start the discussion and define a strategy. Two meetings allow for the discussion to advance and for people unable to participate to one to be there on the next one.

    If you are interested in participating please let us know already and spread the news, actively inviting others who can be interested in the initiative is a very important step!

  • 15.9.-15.12. / Peer Performance Workshop

    15.9.-15.12. / Peer Performance Workshop

    This workshop aims to provide a laboratory for people who wish to develop their live performances. This first edition is hosted by Satu and M, two artists who wonder “how can I translate my music to a live setting?” Maybe you have a similar question and want to experiment about it within a structured timeline and with peer support

    Bring your own projects and questions to this teacherless-course! Each session 2-3 participants will present works in progress and have the opportunity to give and receive feedback. The finale will be a “real” performance (open to the public). 

    When: Tuesdays from 18:00-19:30

    (Mostly) biweekly from Sep 15th 2026 to Dec 15th 2026 

    (dates: 15.9., 29.9., 13.10., 27.10., 10.11., 24.11., 8.12., 15.12.) 

    Where: Toinen Kerros 

    Max participants: 10 (but if there are some people in bands/duos then the group itself would be considered as 1 participant)

    We’re filling up the workshop on a first come first serve basis

    To sign up email Satu & M : 

    kankkonen.satu

    m.lore.wingren

    Both ATgmail.com

  • 5.9. / De/composing

    5.9. / De/composing

    Konsertti-installaatio / Concert Installation
    La 5.9.2026. klo 18 / Sat 5th of September at 6 pm
    Äänen Lumo, Toinen Kerros
    Nokiantie 2-4
    vapaaehtoinen pääsymaksu / pay what you want

    Aaro Lehtovaara, fagotti, sävellys, yms. / bassoon, composition, etc.
    Sara Leppänen, viulu, sävellys, yms. / violin, composition, etc.
    Anna Kirvesniemi, viulu, sävellys, yms. / violin, composition, etc.

    De/composing is simultaneously an ensemble, a concept, collective (un)learning project and concert installation. First presentation will be held on the 5th of September in Toinen Kerros. The evening will include mostly instrumental, more or less improvised experimental compositions by the group.

    Lullaby—Ease—Post-Classical—Deconstruction
    For over one and a half a year performing artists Aaro Lehtovaara, Sara Leppänen and Anna Kirvesniemi have been reimagining music through workshops. Being all originally classically trained, the group shares an interest to create a new relationship with music and related conventions around it.
    By combining knowledge from their different artistic backgrounds in professional fields of theatre, classical music and pedagogy a practice for gentle, non-virtuoso music making started to form. A major part of their process is learning by doing co-created exercises for improvisation and composition in addition to a critical discussion about music institutions, genre or scene formations and other structures. In the near future the group wishes to open the process in a text format for further open discussion and perhaps even inspiration.

    Drone—Open-Form—violin—violin—bassoon

  • 1.9. / Heli Hartikainen: Interbody + Flux

    1.9. / Heli Hartikainen: Interbody + Flux

    Tuesday 1.9.2026 at 19.00 at Toinen Kerros, award-winning saxophonist, composer and sound artist Heli Hartikainen performs two works: Interbody (released as an EP in April 2026), and a pre-premiere of Flux, an upcoming commission for Oulu2026. 

    Cal Cashin from Loud and Quiet Magazine wrote: “Interbody is a delight in exploratory noise making. Hartikainen’s sax is meshed with the live electronics of an erratic sampler, with their playing percussive and rolling to match the barrage of scattergun electronics; a barbed and pointy exemplar of contemporary soundscape work.” 

    Flux, a work for tenor saxophone, electromechanical solenoids, sensor controlled electronics and speakers, is a commission for Oulu2026 European Capital of Culture and will be performed at Oulu Cathedral on 18.9.2026. 

  • 30.8. / ANOTHER LAYER #4

    30.8. / ANOTHER LAYER #4

    ANOTHER LAYER #4
    30.8.2026
    18:00-20:00

    MARIJA KOVAČEVIĆ (RS/US)

    VIKTOR TOIKKANEN

    Entrance: 5-15€ (pay what you can)

    MARIJA KOVAČEVIĆ

    Serbian born, New York City based violinist Marija Kovačević works in classical, experimental and improvised music. Her project “Music for Broken Violins” is an exploration of sonic textures with broken violins, bows and their fragments. In addition to four albums of solo work, broken violins also appear on “Rainy Afternoon near Paris” album with Thierry Müller, “Push Broken Duet” album with Romain Perrot (available on Chocolate Monk), “Bez Vremena” album with Paul Collins and Quentin Rollet (available on Astres d’Or), “Playable Litter” album with Theo Gowans (available on Scatter Archive) and most recently “Unstringed” album with Leandro Barzabal (available on Liquid Library). Marija’s fifth solo album is set for release this year on Relative Pitch Records. The project has traveled internationally to the UK, Europe and USA.

    VIKTOR TOIKKANEN

    Viktor Toikkanen is a composer, sound engineer and multimedia artist from Helsinki, Finland. Navigating between electronic music, multimedia, contemporary classical, free improvisation, and performance art, Toikkanen refuses to adhere to a single style, constantly seeking new ways of self-expression.

    Marija Kovacevic photo by Natalie Kolowiecki.

  • 21.-28.8 / Latvieshi International

    21.-28.8 / Latvieshi International

    “Latvieshi International” is an international contemporary visual art pop-up exhibition and public event series taking place in Helsinki, Finland, from August 21 to 28, 2026.


    Information:
    – Venue: Toinen Kerros, Nokiantie 2-4, 00510 Helsinki
    – Exhibition opening: August 21 at 18:00
    – Exhibition dates: August 21–28
    – Exhibition tour for children and youth: August 25
    – Discussion and musical performance evening: August 26
    – Free admission
    – Further information: https://datuainavas.org/projekti

    The central theme of the exhibition is “background noise”—a phenomenon that six Latvian artists who live in Latvia, Finland, and Iceland (U. Albiņš, A. Bikše, J. Peters, M. Ratniks, S. Ruļuks, L. Zaneripa) explore as a defining feature of the contemporary Nordic-Baltic region. In an era of hyper-connectivity and geopolitical tension, the ability to distinguish the essential (signal) from the inessential (noise) has become an existential necessity. The artists’ new audiovisual works will deconstruct this phenomenon through various prisms, from electromagnetic interference and industrial sound pollution to digital surveillance mechanisms and the residues left by cultural displacement on memory and identity. The exhibition thus addresses the question: is noise merely a disturbance, or is it also fertile ground for new cultural forms?

    The exhibition is accompanied by a public program: opening and closing events, a moderated discussion on Nordic-Baltic cultural identity, an evening of sound performances, and artist-led tours for various age groups, including educational sessions for students of the Helsinki Latvian Diaspora School (Pikku Putni).

    The event is organized by the association “Datu ainavu kartogrāfi” (Jurģis and Džesika Peteri).

    Supported by: Culture Capital Foundation (VKKF), Culture Moves Europe, Embassy of the Republic of Latvia in Finland, Rozentāls Seura, Äänen Lumo, Toinen Kerros.

    Free admission to the exhibition and public program.

    The event will be photographed and filmed.

  • 6.8. / Boundary Collapse

    6.8. / Boundary Collapse

    An evening of abstract acoustic and/or electronic music.

    ***

    Forces
    https://joonassiren.fi/
    https://ffforces.bandcamp.com/

    Devina Boughton & Orion Boughton
    https://devinaboughton.weebly.com/
    https://djjorts.bandcamp.com/

    Jonas Hammerer
    https://www.hammererer.net/

    Fabian Lanzmaier
    https://www.fabianlanzmaier.com/

    ***

    Thurday 6th of August, 18.00 - 22.00
    Toinen Kerros (Nokiantie 2-4, Helsinki)
    Äänen Lumo / Charm of Sound
    https://aanenlumo.com/
    5e-15e (pay what you can)

    ***

    Jonas Hammerer
    Jonas Hammerer is a Vienna-based musician and sound artist working with
    synthetic, process-oriented systems for live performances, sound
    installations and collaborative works.
    In his artistic practice he uses analog and digital sound synthesis as
    material and form-giving process, exploring instability and emergent
    behavior in which form develops without fixed compositional structures.
    He also realizes commissioned sound works and audio software for artists
    and cultural institutions.
    He studied electroacoustic and experimental music at the University of
    Music and Performing Arts Vienna, where he was working at the Artistic
    Research Center as part of the AESR sound projection lab. He is a member
    of kv.r., an independent venue and collective organizing experimental
    music shows in Vienna.

    ***

    Fabian Lanzmaier
    Fabian Lanzmaier is a musician and sound artist living in Vienna. He is
    currently focusing on live performances that incorporate real-time audio
    synthesis and multichannel speaker setups, as well as site-specific
    audio installations, which often emerge from collaborative processes. He
    is interested in the possibilities and surprises that arise when working
    with systems and situations involving chance and unpredictability.

    ***

    Orion Boughton
    Orion Boughton (they/them) aka DJ Jorts is a music producer,
    saxophonist, and audio engineer based in Portland Oregon. They hold a
    Bachelor of Arts from Portland State University in Sonic Arts and Music
    Production. Orion has versatile musical experience, including large
    ensemble wind band, contemporary chamber music, jazz, hyperpop, rap,
    folk, live sound, and sound art. Fusing their skills of performance and
    production, Orion bends the medium of sound to their artistic vision,
    taking influence from the environment and world around them. They have
    performed both independently and in ensembles across the US, in Finland,
    and in Slovenia as part of the Etno Histeria World Orchestra.

    ***

    Devina Boughton
    Devina Boughton (they/them) is a versatile performer hailing from rainy
    Portland, OR, based in Helsinki, Finland. With a Bachelors degree from
    Berklee College of Music, Devina moved to Helsinki as a 2021-22
    Fulbright Grant recipient, and graduated from Sibelius Academy's Global
    Music department with a Masters degree in 2025. They were a 2024-25
    Microtonal Music Studios Resident, and received Finlandia Foundation
    funding in Summer 2025. Devina serves as artistic director of Symbioosi
    Choir (2023-present), and works as a freelancer in Helsinki and beyond,
    as a performer, composer, artistic researcher, and pedagogue. Devina
    explores and intertwines sound worlds, often blurring improvisation and
    composition together. They are inspired by timbre, tuning, melody,
    groove, nature, human experiences, words, and are passionate about
    interdisciplinary collaboration. Their art-science Flagellate
    Collective´s project Playing with Algae, combining micro- and macro
    algae with Nordic shepherd´s horns, is supported by the KONE Foundation
    in 2026. You may find them drinking coffee or tea, exploring nature,
    practicing Finnish, baking, or reading.

    ***

    Forces
    Constantly mutating rhythms and sharp digital textures shape the sound
    of Forces. Forces is the electronic music project of Finnish
    interdisciplinary artist Joonas Siren (they/them). Different live-coding
    and processing techniques are used to make dense atomized swirls;
    electronic and sometimes chaotic abstract oceans of sound. Forces’ music
    has been released on Biodiversità Records, evo-natura, mappa, Infinite
    Machine, Gin & Platonic, Genot Centre, Conditional and Bio Future
    Laboratory, and has also been played in DJ mixes by experimental
    producers like Aphex Twin, Daniel Ruane and ZULI.
  • 3.8. / Bloom & Gloom # 3

    3.8. / Bloom & Gloom # 3

    Bloom & Gloom is here again, this time for the 3rd and quite possibly for the last time!

    Lauren Sarah Hayes (UK/SL)
    Lauri Hyvärinen / Sulo Kolehmainen
    Matti Luokkanen / Heliä Mailis Viirakivi

    3.8.2026, doors 19:00
    5 – 15 € (pay what you can) (NOTAFLOF)

    In the 3rd of August, we will present performances from Lauren Sarah Hayes, a Scottish improviser and a sound artist, who has gained recognition for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as ‘voracious’ and ‘exhilarating’.

    Additionally 2 duos will perform, both of them playing together for the very first time.

    Lauri Hyvärinen & Sulo Kolehmainen have been aware of each other for a number of years, and despite the occasional aesthetic overlap, they have never played together. Whether the encounter will be an austere but an awkward train wreck, an assault of tiny needle pricks to the eardrums or a pile of flaming garbage inside a zen monastery, remains to be seen. Mostly likely the result will include all of the above.

    As the second duo of the evening we will experience an intriguing encounter of the wind player Matti Luokkanen and the vocalist/flutist Heliä Mailis Viirakivi. The prior has a strong background playing free jazz with various people for more than a decade, including in the band Fogelbörs. The latter is well versed in classical but folk influenced extended vocal and instrumental techniques, and has performed in various interdisciplinary and contemporary productions all over Europe. What brings the duo together is a strong backbone in improvisation and their love for playful spontaneity.

  • 1.8. / AXE CONCERT

    1.8. / AXE CONCERT

    Thomas Mellan, Los Angeles-based contemporary music organist and electronic musician known for his experimental bass/cinematic synth project DeKapital, will make his first appearance in Finland. 

    Thomas Mellan and Orest Smovzh will join for some ambient, noisy, and unpredictable improvisations using electronics, recordings, harmoniums, sampled crumhorns, and stuff

    Time: Saturday 1.8. starting at 20.00

    Entrance by donation (0-10€) to support the venue.

  • 26.6. / valittu.kaduta

    26.6. / valittu.kaduta

    valittu.kaduta

    for solo violin and pre-recorded violin
    Violin and pre-recorded violin: Orest Smovzh
    Composition and amplification: Simone Spampinato

    “You will have mutilated your own gaze until you can count within it three hundred and forty-three tears; it will be a useful grid for judging the outcome of the game at a single glance. As soon as you unseal your eyelids, you will know that you have once again lost against chance. The total number of birds may perhaps approach an ideal, elegant figure, but you will have lost all the same.”

    — Antoine Volodine, Our Loved Animals

    On the day of the concert, the violinist makes nine recordings across nine specific places and moments in time, beginning in the early hours of the morning. That evening, these fragments are played back. The live performance unfolds as a negotiation between what has already happened and what is happening now.

    Supported by MES

    26.06.26, Friday, 19:00 – 20:00
    Toinen Kerros
    Nokiantie 2–4

    Facebook event