Author: AanenLumoWebsite

  • 1.4. / OTA 10 years

    1.4. / OTA 10 years

    Ten years ago, on april fools day, ota was born, with a cassete made between two friends bagatela and brotas. 

    It was a diy effort that eventually featured on some list of cassette albums of the year. 

    Started from the remains of short films collaborations by three friends, ota became a shared obsession, exploring possibilities of simple collaboration, with varied contribuitions from complete amateurs to cassette heavyweights.

    Ota did several 30-50 cassette releases, created a singular handmade cassette cover for each singular tape, while partnering with volunteering visual contributors for the artwork. 

    Ota existed without funding, without money and without academics.

    So it trod along for a few years, until the energy ran out. 

    After 10 years, ota peeks out from the silence and invites anyone else to listen, propose, create with us.

    https://ostresamigos.bandcamp.com/

    Performances: 

    Doors open 6pm (Free entry)

    6pm: Open cassette deck introduction to OTA – tapes played from archives

    7pm: Casual Observer

    7.45pm Borra-Botas presents bb2

    8.30pm: Open Cassette 2 – archive mash up

    Doors Close 9pm

  • 29.3. / HETKfEST Charlotte Hug, Kristjan Kannukene, and Sergio Castrillón

    29.3. / HETKfEST Charlotte Hug, Kristjan Kannukene, and Sergio Castrillón

    An improvised music concert with bowed strings and voices. Charlotte Hug, Kristjan Kannukene, and Sergio Castrillón create site- and time-specific hybrid soundworlds, where voice, viola, and the custom-built sercello intertwine in an unpredictable sonic landscape.

    Time
    : Sunday 29.3. at 19.00
    Place: Toinen Kerros (Nokiantie 2-4, Helsinki)
    Entrance: pay-what-you-can

    Charlotte Hug is a Swiss-born performer (voice & viola), composer, improviser, and visual artist. With Son-Icons (Visual-Music), SpatialScores, and Live-Scoring with Temporary Son-Icons, she created a new genre of transdisciplinary music and art. Her musical-visual solo performances in distinctive locations have created an international furor. She sang and played in the Rhone Glacier, in the rising waters of the Atlantic Ocean in Ireland, or in the Brazilian jungle, Mata Atlântica. She often chooses powerful places in nature that are fragile or threatened with extinction. Hug is a professor of improvisation musical-scenic performance and creation in interdisciplinary contexts, at the Lucerne University of Applied Science and Arts/Music and head of the international postgraduate studies program Creation & Scenario in Music at the Zurich University of the Arts. 

    www.charlottehug.com

    Sergio Castrillón is a cellist and composer deeply dedicated to improvised and experimental music. Within his career Sergio has collaborated with a big number of Finnish and international improvisers and composers, from diverse music genres and in a variety of ensembles. Sergio also performs actively as a solo improviser, featuring in festivals, series of concerts, and music happenings around the globe. In his performances and recordings, Sergio uses different kinds of self made cello modifications, a “campanula” made by Eero Ristilä, the “skillo” built by Andrew Bentley, and the “sercello” designed by himself in collaboration with luthier Markko Sunni. Thanks to these diverse projects and his innovative approaches, Sergio Castrillón has established himself as one of the central figures of his generation in the field of cello improvisation and experimental cello music. 

    www.sergiocastrillon.com

    Kristjan Kannukene is an Estonian violist, vocalist, electric guitarist, and performer-composer working at the intersection of improvisation, intermedia art, and sonic experimentation. His work extends beyond conventional performance into transdisciplinary contexts, including intermedia instruments and interactive sound installations such as project “9”, exploring the evolving relationship between body, voice, and instrument. Central to his artistic research is the search for a living symbiosis between voice and viola — a space where sound, gesture, and presence converge. Kannukene is a doctoral researcher at the Estonian Academy of Music and Theatre, focusing on “The Symbiosis of Viola and Voice”, and the founder and artistic director of HETKfEST, an international festival for improvised arts in Tallinn.

    https://kristjankannukene.ee/

    Event on Facebook

  • 28.3. / Buen Ayre Records – label launch & Release concert & party: B-Nature / Concrete Energy

    28.3. / Buen Ayre Records – label launch & Release concert & party: B-Nature / Concrete Energy

    Buen Ayre Records – label launch & Release concert & party: B-Nature / Concrete Energy with and by Mercedes Krapovickas and Mareike Dobewall

    We warmly welcome you to the launch of our record label Buen Ayre Records and the release concert for our first record: B-Nature / Concrete Energy, followed by a party.

    Time: 28.3. at 19:00

    Entry: Free — with the possibility to make a donation

    About Buen Ayre Records

    Buen Ayre Records is a platform and music label for contemporary and experimental music, based in Finland. Founded in 2025 by Mercedes Krapovickas and Mareike Dobewall. Each release will offer a space to listen anew, explore deeply, and expand our relationship with sound.

    About our Release 001: B-Nature / Concrete Energy

    B-Nature / Concrete Energy is an album dedicated to the bandoneon. It explores contrasting sonic ecosystems, where organic textures and raw electronic forces coexist. It moves between fragility and density, staying close to material, texture, gesture, and resonance.

    Side A: B-Nature — composed by Mareike Dobewall, performed by Mercedes Krapovickas

    Side B: Concrete Energy — composed and performed by Mercedes Krapovickas

    Vinyl available

    A limited vinyl edition will be available. If you’d like to reserve a copy for pick-up at the concert, you can pre-order via our website: https://buenayrerecords.com/project-001

    The album is online available on Bandcamp: https://buenayrerecords.bandcamp.com

    Dive into the meditative exploration of a blue landscape defined by gravity and its absence in the video of our first single release Blue Gravity: https://vimeo.com/1162273006?share=copy&fl=cl&fe=ci

    Mercedes Krapovickas is an Argentine bandoneonist, composer, and sound artist based in Helsinki. Her work explores expanded bandoneon practices through extended techniques, sound design, and electronics, often at the intersection of composition, performance, and improvisation.

    https://mekrapov.com/

    Mareike Dobewall is a director, scenographer, musician, and composer, working across disciplines with a strong focus on spatial sound performance. She holds a PhD from Stockholm University of the Arts and works as an artistic researcher and educator alongside her artistic practice.

    https://www.mareikedobewall.com/

  • 26.3. / Suhina Klubi: Phil Minton – Kriton Beyer & Teemu Korpipää

    26.3. / Suhina Klubi: Phil Minton – Kriton Beyer & Teemu Korpipää

    Suhina Klubi is a periodic concert series focused on improvised sound art. The club has been organized in Helsinki since 2018, with the aim of creating an intersection between artists searching for new modes of expression and a curious, open-minded audience. Suhina Klubi presents both established Finnish and international artists and also provides performance opportunities for previously unheard-of ensembles.

    In the fourth concert of Suhina Klubi’s ongoing spring season, we proudly present: Phil Minton & Kriton Beyer as duo, and a solo performance by Teemu Korpipää. In addition to the 26.3. concert, Phil Minton is hosting a free workshop on Wednesday 25.3. — more info & sign-up instructions below! 

    The MINTON–BEYER DUO seems like a study of the phenomenon of the voice with two different instruments: the human voice and the daxophone.

    Phil Minton (b. 1940, Great Britain), perhaps the best-known vocal artist in free improvisation, is known for his remarkable extended vocal techniques that span the entire spectrum of human expression: from simple breathing, to murmurs, grumbling and whispering, to whistling, burping and rattling, screaming and moaning – from shrill highs to rumbling lows, all part of his vocabulary. And all his vocal abilities are always paired with an extraordinary, unique presence and an absolutely unfiltered expression.

    Kriton Beyer in turn, uses his still quite obscure instrument, the daxophone, in an extremely voice-like way, often imitating human and animal sounds and speech patterns that seem to have been built into the nature and character of the instrument. Compared to other instruments, it seems to be very easy to imitate animal sounds and voices, from bird song to grunting, roaring, cawing, croaking, chattering, cooing and chirping of various animal species on the daxophone. All of this has been well researched and practically tested by Kriton Beyer in cross-species communication with his daxophone as an instrument and is also audibly processed in the musical dialogue in the work in this duo.

    Acoustically, despite the speed, changeability and abundance of musical information, the sound of this duo is simple, clear, unambiguous and direct and therefore very intimate and never artificial. The two voices complement each other equally, without one ever covering up the other. They move gracefully somewhere between the animal and the human, sometimes comical and grotesque, sometimes subtle and fragile, in an intuitive musical exchange of blows between two multifaceted voices of different natures.

    Phil Minton and Kriton Beyer have been working together in a duo constellation since 2022 and will be going on a European tour for the second time in March of 2026.

    www.kritonbeyer.com/mintonbeyer

    Teemu Korpipää is, among other things, a musician, improviser, mixer, builder, and composer. A collector of strange sounds, a strummer of rubber bands. He hopes to one day figure out what he wants to be when he grows up — and to add a few more hours to the day.

    “If that’s not formal enough, I also have something like this — though I don’t like it very much.”

    Teemu Korpipää is a recording engineer, sound technician, mixer, builder, audio consultant, composer, musician, and improviser. As an expert in electronic and experimental music, he can be found designing sound for a contemporary dance performance just as easily as building MIDI controllers into a giant cajón. A trademark of Korpipää’s work is his ability to move fluidly in the space between sound design and music.

    Event is supported by: Kone Foundation.

    Photo credits (Minton-Beyer): © Christina Marx

    Suhina Klubi is a periodic concert series focused on improvised sound art. The club has been organized in Helsinki since 2018, with the aim of creating an intersection between artists searching for new modes of expression and a curious, open-minded audience. Suhina Klubi presents both established Finnish and international artists and also provides performance opportunities for previously unheard-of ensembles.

    In the fourth concert of Suhina Klubi’s ongoing spring season, we proudly present: Phil Minton & Kriton Beyer as duo, and a solo performance by Teemu Korpipää. In addition to the 26.3. concert, Phil Minton is hosting a free workshop on Wednesday 25.3. — more info & sign-up instructions below! 

    The MINTON–BEYER DUO seems like a study of the phenomenon of the voice with two different instruments: the human voice and the daxophone.

    Phil Minton (b. 1940, Great Britain), perhaps the best-known vocal artist in free improvisation, is known for his remarkable extended vocal techniques that span the entire spectrum of human expression: from simple breathing, to murmurs, grumbling and whispering, to whistling, burping and rattling, screaming and moaning – from shrill highs to rumbling lows, all part of his vocabulary. And all his vocal abilities are always paired with an extraordinary, unique presence and an absolutely unfiltered expression.

    Kriton Beyer in turn, uses his still quite obscure instrument, the daxophone, in an extremely voice-like way, often imitating human and animal sounds and speech patterns that seem to have been built into the nature and character of the instrument. Compared to other instruments, it seems to be very easy to imitate animal sounds and voices, from bird song to grunting, roaring, cawing, croaking, chattering, cooing and chirping of various animal species on the daxophone. All of this has been well researched and practically tested by Kriton Beyer in cross-species communication with his daxophone as an instrument and is also audibly processed in the musical dialogue in the work in this duo.

    Acoustically, despite the speed, changeability and abundance of musical information, the sound of this duo is simple, clear, unambiguous and direct and therefore very intimate and never artificial. The two voices complement each other equally, without one ever covering up the other. They move gracefully somewhere between the animal and the human, sometimes comical and grotesque, sometimes subtle and fragile, in an intuitive musical exchange of blows between two multifaceted voices of different natures.

    Phil Minton and Kriton Beyer have been working together in a duo constellation since 2022 and will be going on a European tour for the second time in March of 2026.

    www.kritonbeyer.com/mintonbeyer

    Teemu Korpipää is, among other things, a musician, improviser, mixer, builder, and composer. A collector of strange sounds, a strummer of rubber bands. He hopes to one day figure out what he wants to be when he grows up — and to add a few more hours to the day.

    “If that’s not formal enough, I also have something like this — though I don’t like it very much.”

    Teemu Korpipää is a recording engineer, sound technician, mixer, builder, audio consultant, composer, musician, and improviser. As an expert in electronic and experimental music, he can be found designing sound for a contemporary dance performance just as easily as building MIDI controllers into a giant cajón. A trademark of Korpipää’s work is his ability to move fluidly in the space between sound design and music.

    Event is supported by: Kone Foundation.

    Photo credits (Minton-Beyer): © Christina Marx

    FREE WORKSHOP W/ PHIL MINTON: 25.03.26 at Hietsun Paviljonki (Hiekkarannantie 9, 00100 Helsinki)

    In addition to his concert (26.3.26) at Toinen Kerros, legendary singer/voice improviser Phil Minton is hosting a workshop at Hietsun Paviljonki on Wednesday, March 25th at 6 PM. The workshop is free and will last 2–3 hours — everyone interested in improvisation is welcome!

    Workshop’s concept, Minton’s own “Feral Choir”, is based on collective vocal improvisation. It originated in the late 1980’s when Minton was asked to do some workshops with ‘non-singers’ — amateurs with no previous musical interest or experience. In Minton’s own words: “My recent experience of working with singers, many of whom think they cannot sing, has strengthened my conviction that the human voice is capable of so much more than is generally understood. In the workshops I have encouraged participants to realise that anyone who can breathe, is capable of producing sounds that give a positive aesthetic contribution to the human condition and many of these contributions are without any cultural influences or references.” More information can be found at: https://www.philminton.co.uk/feral-choir

    We kindly ask that you register by email at klubisuhina@gmail.com. The workshop will go ahead once enough pre-registrations have been received, so please confirm your attendance well in advance!

    The event is organized by Hietsu is Happening! and Suhina Klubi.

  • 26.03.2026 // äänes @ IDA Helsinki

    26.03.2026 // äänes @ IDA Helsinki

    äänes on äänitaiteeseen sekä kokeelliseen musiikkiin ja nykymusiikkiin keskittyvä kuukausittainen yhteisöllisesti toteutettu moniääninen asia- ja ajankohtaisohjelma osana IDA Helsinki -radion ohjelmistoa. // äänes is a collaborative and polyphonic programme concentrated on sound art and experimental and contemporary music airing on IDA Helsinki radio monthly.

    Kahdeskymmenesneljäs jakso ilmaantuu 26.03.2026 kello: 13–15. // The twenty-fourth episode airs on March 26th, 2026, at 13–15.

    https://idaidaida.net/shows/aanes

    Haastateltavat // Interviewees: 

    Mikko Sarvanne, Maria W. Horn

    Soittolista // Playlist:

    Mikko Sarvanne – ontto (syklit jotka puhkeavat EP 2026) 

    Mikko Sarvanne – norro (syklit jotka puhkeavat EP 2026) 

    Mikko Sarvanne – tallenne Metsänheräys -sävellyksen harjoituksista Awake Percussion -ryhmän esittämänä Soiva Metsä -festivaaleilla 2025 

    Maria W Horn – Panoptikon (XKathedral, 2024)

    Funeral Folk – Lacrimosa (XKatedral and Supertraditional, 2022)

    Maria W Horn & Mats Erlandsson – Horror Vacui (Self released, 2024)

  • 21.3. / Written and Experimental 2

    21.3. / Written and Experimental 2

    Location: Toinen Kerros
    Date: March 21, 2026
    Time: 19:00 (Doors at 18:00)

    Entrance: Voluntary donation (suggested 10 €)

    Welcome to an evening where composed music and improvisation meet in celebration of new creation, experimentation, and artistic openness.

    Experience a night of exploratory sound, bold ideas, and outstanding international performers, where curious minds gather and music unfolds in unexpected ways.

    Performers information:

    Mark Reid Bulatović
    Guitarist and composer from Slovenia and Scotland. His work explores ecology, intimacy, and ritual. A Sibelius Academy graduate, he has performed internationally at festivals including Huddersfield Contemporary Music Festival, Edinburgh Fringe, Musica Nova, and R.A.W Shanghai.

    Haiyun Yu

    Multidisciplinary artist, guitarist, and producer from Suzhou, China. Her work explores cultural heritage, ecology, and identity through sound, language, and performance. A Finland Scholarship recipient, she holds a master’s degree from the Sibelius Academy in Arts Management, with studies in Music Technology and Sound Art.

    Heliä Mailiis Viirakivi
    Finnish vocalist, flutist, improviser, and composer working in new and experimental music. Blending extended techniques, folk influences, and classical singing, she creates expressive, detail-driven performances across Europe.

    Gon Muruaga Olguin
    Argentinian electric guitarist, improviser, and composer active in the Nordic and Baltic experimental scenes. His work spans jazz, free improvisation, and contemporary electroacoustic music. He collaborates widely and works in music technology field.

    Robert Fleitz
    Pianist and composer known for dynamic, genre-crossing performances. Appearing internationally, he is a passionate advocate for new music and a recipient of the Pro Musicis International Award and the André Boucourechliev Prize. His work explores queer ecology, technology, and human connection.

  • 20.3. / Rahina-klubi: 4 angles

    20.3. / Rahina-klubi: 4 angles

    Rahina-klubi in Toinen Kerros 20.3. from 18.00 to 22.00.

    Lumi Mannermaa

    Lumi Mannermaa is a sound artist based in Helsinki who works between the realms of failure and success, using absurdity as a medium for communication. In her practice she uses augmented toy instruments, free improvisation, experimental instrument building, pataphysical conceptuality and modern day nuisances, such as social media content streams, covering subjects such as mistake, the subconscious, and the ugly and humorous, to name a few.

    Listen on Soundcloud
    Instagram: @lu__ae

    Antti Tolvi

    Antti Tolvi (1977 Panelia) is a sound artist and performer from Turku/Kemiönsaari.

    Tolvi’s works have begun to take shape more as multi-sensory installations, spatial experiences and performances, in which sounds still play a central role. In the works, sounds have changed to a visual form, Tolvi has composed for wind breezes (multi-channel fan system), body sensations (sound beds/sofas), touch (1-1 performances), lights (as a light composer), etc.

    Tolvi’s artistic practice has focused solely on listening for over 20 years. Solely listening does not mean listening with just the ears, but listening with the whole being, both the inside and outside of the body. The practice of listening also inextricably includes the practice of relaxation. It is very difficult for us to listen openly if our minds are fixed somewhere. In other words, the practice explores human nature while being aware of the specifics of space and form.

    www.anttitolvi.com

    Hornantuutti

    Hornantuutti is a duo founded by two musicians from Helsinki, Katja Lamberg and Assi Karttunen. In their playing old and new repertoireis combined with free improvisation.

    Assi Karttunen: organetto, keyboards

    Katja Lamberg: synthesizers, vocals


    K-L-R

    In the K-L-R trio’s free-playing music, sounds produced in different ways are combined into weaves that find their place in composed structures.

    J. Koho approaches sound, sound sources, instruments and playing according to the situation. His work is often inspired by the wonder of sounds and the joy they bring.

    Vesa Lehko is interested in exploring the boundaries of music and various sound phenomena through woodwinds, found sounds and objects.

    Juha Rautio plays improvised music on the electric guitar and approaches music with a hat of poetry and general avant-gardism in his hand.

    The members of the trio have performed at various events and venues focused on experimental music, such as Asbestos Art Space, Kaekuu Festival, Käpylän lippakioski, Kalevan Erikoinen, Pertin Valinta, Rahina-klubi, Pethaus and Yö Galleria

  • 19.3. / Suhina Klubi: Antti Virtaranta & Olli Aarni

    19.3. / Suhina Klubi: Antti Virtaranta & Olli Aarni

    Suhina Klubi is a periodic concert series focused on improvised sound art. The club has been organized in Helsinki since 2018, with the aim of creating an intersection between artists searching for new modes of expression and a curious, open-minded audience. Suhina Klubi presents both established Finnish and international artists and also provides performance opportunities for previously unheard-of ensembles.

    In the third concert of our spring season 2026, we proudly present: Antti Virtaranta and Olli Aarni.

    Time 19.3. at 19.00
    In Toinen Kerros (Nokiantie 2-4)

    Antti Virtaranta is a Finnish bassist and composer. He began his musical career at the age of 17, while studying at the Philadelphia University of the Arts with a focus on jazz — but everything changed, after he discovered free jazz and experimental electronic music. Later Virtaranta moved to Berlin to join the city’s vibrant improvisation scene, developing projects with numerous musicians while shaping his own artistic voice. He is currently focused on expressing himself through both composition and improvisation, drawing on jazz, rock, and contemporary music as influences that together form his musical language. Today, Antti Virtaranta’s work centers on concepts and compositions for solo bass and solo electronics, as well as the use of non-traditional notation. These ideas evolve and take shape both in smaller groups (duos and trios) and in larger ensembles, often based on spontaneous composition in collaboration with dancers and visual artists.

    Olli Aarni (b. 1988, Oulu) is an artist working with music, sound, time, space, and text. His discography consists of more than twenty albums, and his work has been published on four continents since 2009. He has performed in various European countries and in Japan, and Aarni’s music and sound work spans from raw field recordings to generative computer music, and from mutated pop tropes to long improvisations with acoustic instruments. He also works with installation, video art, sound poetry, and publications. 

    “If you’ve been following Aarni’s solo releases, for labels like SUPERPANG, Dauw, Students of Decay, mappa and Longform Editions (among others), you’ll know that it’s impossible to predict what to expect next.” – Boomkat review/blurb for “Dimension Scrolling” LP

    “The kind of music that feels like it was conjured in some sort of incantation rather than created by human hands.” – ghosttropics bandcamp user review for “Yö näkyy” LP

    “My first impression when I got to know Olli more was – – that he is an actual onion.” – Okkyung Lee

    Event is supported by: Kone Foundation.

    Photo credits (Antti Virtaranta): © Svetlana Selezneva

  • 17.3. / TK Ensemble: OPEN score OPEN rehearsal event

    17.3. / TK Ensemble: OPEN score OPEN rehearsal event

    TK ensemble is hosting an evening dedicated to exploring, reading and playing open experimental music scores.

    For anyone curious of sound and its written forms regardless of prior knowledge or skills in music. We welcome everyone to bring their instruments, any sounding objects, themselves and most importantly – curious ears. 

    Time: Tuesday 17.3. at 18.00
    Place: Toinen Kerros (Nokiantie 2-4, Helsinki)

    TK ensemble:
    Toinen Kerros ensemble is a freshly formed open collective that was born out of the need to explore and perform experimental music works in a group setting. At the heart of this ensemble is listening, experimentation, interpretation and discussion, emphasising that other than a pair of ears and mind of questions, there is no need for prior knowledge in music or instrument playing. Being the house band of the experimental sonic arts space Toinen Kerros, the ensemble is open to all sonic arts enthusiasts, lovers or anyone curious for sound experiments.

  • 13. & 15.3. / Celestial Navigators – Arola-Fuhrmann-Kakaliagou

    13. & 15.3. / Celestial Navigators – Arola-Fuhrmann-Kakaliagou

    (Suomeksi alempana)

    Celestial Navigators – multidisciplinary work for human voices, french horn, video and binoculars

    Celestial Navigators is a multidisciplinary performance exploring the fragility of human decision-making through music, movement and film. The piece is co-creation by composer Tytti Arola, singer Annika Fuhrmann and horn player Elena Kakaliagou. Inspired by the instinctive navigation of migratory birds, the piece reflects on hesitation, choice, and direction on both a personal and societal level. Through the interplay of voice, French horn, and film, three artists approach the theme with both poetry and humour. Video material filmed in a rural Finnish landscape, featuring cranes and geese in flight formations, emphasizes the contrast between the certainty of nature and human uncertainty.

    Link to trailer: here

    Tytti Arola is a composer, sound artist, and performer whose work explores the intersection of everyday life and the concert hall, multisensory composition, and spatial sound. Her works often incorporate electronics and multimedia elements such as video. Recently, she has been interested in researching the topic of care and embodiment of playing. Arola’s oeuvre has been presented at festivals including Helsinki Festival, Tampere Biennale, Musica Nova Helsinki, Nordic Music Days, Huddersfield Contemporary Festival, Our festival, and Flow Festival.
    https://www.tyttiarola.com


    Annika Fuhrmann is a vocalist and sound artist working primarily in experimental music theatre, sound art, and improvised music. She has premiered numerous works composed specifically for her voice and collaborated in interdisciplinary projects with artists from various fields. Fuhrmann has also composed and recorded multiple sound works for YLE’s Ääniversumi radio program. Her artistic work is characterized by strong and versatile vocal and bodily expression, as well as a focus on socially engaged themes.
    https://annikafuhrmann.com


    Elena Kakaliagou is a French horn player and internationally active artist in contemporary and improvised music. She regularly performs at festivals and concert venues around the world, both with her own projects and with leading contemporary ensembles. Her work blends drone, microtonality, soundscapes, and lyrical expression. With over 20 albums to her name and performances spanning theatre, performance art, and solo concerts, she has established herself as one of the most distinctive voices in contemporary music today.
    https://elenakakaliagou.com/index.html

    Performances

    FRI 13.3. 19:00
    SUN 15.3. 17:00

    Toinen kerros, Nokiantie 2-4, Helsinki

    Ticket price: 5-20€ (pay what you can principle)

    In advance: https://holvi.com/shop/eloafestivaali/
    At the door: One hour before the show (Cash, Card, or MobilePay). 

    The project is supported by 

    Koneen säätiö, Kordelinin säätiö, HIAP, Kulttuurikomppania Eloa

    Celestial Navigators – poikkitaiteellinen teos ihmisäänelle, käyrätorvelle, videolle ja kiikareille

    Celestial Navigators on kokeellinen musiikkiteatteriteos, joka tutkii musiikin, videotaiteen ja liikkeen keinoin inhimillisen päätöksenteon haurautta ja peilaa sitä luonnosta löytyvän suunnistamisen varmuuteen. Muuttolintujen vaistonvaraisen navigoinnin innoittamana teos punoo yhteen henkilökohtaisen epäröinnin sekä laajemmat pohdinnat yhteiskunnasta, valinnoista ja suunnasta. Kolme taiteilijaa lähestyvät teemoja ihmisäänen, live-videon, käyrätorven, koreografian ja elokuvan vuorovaikutuksen kautta sekä runollisesti että huumorilla. Loppukesän maalaismaisemassa kuvattu videomateriaali kurkien ja hanhien auramuodostelmineen korostavat luonnon varmuuden ja ihmisen epäröinnin välistä voimakasta kontrastia.

    Linkkit traileriin löytyy täältä.

    Tytti Arola on säveltäjä, äänitaiteilija ja esiintyjä, jota kiinnostaa arjen tuominen konserttitiloihin, moniaististen sävellysten tekeminen sekä tilallisen äänen kanssa työskentely. Teoksissaan Arola hyödyntää usein elektroniikkaa ja viime aikoina hän on innostunut soittamisen kehollisuuden tutkimisesta sekä soitinrakennuksesta. Arolan tuotantoa on esitetty esimerkiksi Helsingin juhlaviikoilla, Tampere Biennalessa, Musica novassa, Huddersfield Contemporary Music Festivalilla, Pohjoismaisilla musiikkipäivillä, Meidän festivaalilla ja Flow Festivaalilla.
    https://www.tyttiarola.com


    Annika Fuhrmann on suomalais-saksalainen laulaja ja äänitaiteilija, joka työskentelee pääasiassa kokeellisen musiikkiteatterin, äänitaiteen ja improvisoidun musiikin parissa. Tärkeitä elementtejä taiteellisessa työssään ovat vahva ja monipuolinen äänellinen ja kehollinen ilmaisu sekä yhteiskunnalliset kysymykset. Fuhrmann on kantaesittänyt useita hänelle sävellettyjä teoksia ja esiintynyt poikkitaiteellisissa projekteissa eri alojen taiteilijoiden kanssa. Lisäksi hän on säveltänyt ja toteuttanut useita ääniteoksia YLE Radio 1:n tilauksesta. Hän on esiintynyt muun muassa Tokyo Wonder Site Experimental Festivalilla, Lontoon Grimeborn Festival of New Opera -festivaalilla, Musica Nova Helsingissä ja Tampere Biennalessa.
    https://annikafuhrmann.com


    Elena Kakaliagou on kreikkalais-itävaltalainen käyrätorvensoittaja, joka on valmistunut musiikin maisteriksi Sibelius-Akatemiasta. Kakaliagou toimii nykyään Berliinistä käsin kansainvälisesti aktiivisena nyky- ja improvisoidun musiikin taiteilijana. Hän esiintyy säännöllisesti festivaaleilla ja konserttisaleissa ympäri maailmaa sekä omien projektiensa kanssa että johtavien nykymusiikkiyhtyeiden riveissä. Yli 20 albumin diskografia sekä esiintymiset teatterissa, performansseissa ja soolona ovat vakiinnuttaneet hänen asemansa yhtenä tämän hetken omaleimaisimmista nykymusiikin äänistä.
    https://elenakakaliagou.com/index.html

    Esitykset: 

    PE 13.3. 19:00
    SU 15.3. 17:00

    Toinen kerros, Nokiantie 2-4, Helsinki

    LIPUT:
    5-30€ (maksa mitä pystyt -periaatteella)
    Ennakkoon netistä https://holvi.com/shop/eloafestivaali/ ja ovelta tuntia ennen käteisellä/kortilla/Mobile Pay

    Hanketta ovat tukeneet:
    Koneen säätiö, Kordelinin säätiö, HIAP, Kulttuurikomppania Eloa