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ääneen: Carlo Sampaolesi – Space is only noise + Convertito Mureddu Schweizer
30.11.24
18:30 doors
19:00 concert
5 – 10 €
Nokiantie 2 – 4
2nd floor
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Space is only noise is a performance for accordion, visuals and live electronics.
Carlo Sampaolesi: Accordion.
Music created in collaboration with: Tommaso Settimi, Maurizio Azzan, Giulia Lorusso, Carlo Elia Praderio.
°fashion designer: Francesca Pisano
°visuals by: Matteo Castiglioni
°choreographer: Jacob Storer
°art director: Yuri Falcioni
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Impro set
Giorgio Convertito – dance
Libero Mureddu – harmonium
Livia Schweizer – flute
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Space is only noise
Sound is space
and this performance is about spaces and the people who have inhabited them.
All the spaces we have built and forgotten, occupied, lived in and changed.
Sound is time in space
and this performance speaks of the time we have compressed and distorted. All that time that we did not observe because we were too focused on something else or that we just never saw pass by.
All these spaces, all these times and all these silences have a sound,
a sound image that echoes in our heads.
It is elongated, rippling and impalpable.
It breathes and twists, it struggles and rests, but never leaves us.
The performance is conceived as a single act,
an uninterrupted sound event that has no beginning or end.
It’s an event, an experience of vibrations that fill space in an orderly, non-random manner. They are signs that actively express content, they signify something other than themselves.
They appear mute to us, without knowing their true meaning. At a certain point, when time runs out, we shed these contents and leave, as if the door is closed.
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Carlo Sampaolesi (*1997, IT) is an accordionist and performer resident in Brussels. His interest in sound and its relationship with space and time have led him to deepen the timbral and spectral research of his instrument, undertaking a series of collaborations and commissions with composers such as: Francesca Verunelli, Stefano Gervasoni, Dmitri Kourliandski, Gavin Bryars, Giulia Lorusso, Maurizio Azzan, Carlo Elia Praderio, Mattia Clera, and many others. He has performed at numerous festivals including the TransArt Festival, Klarafestival (Bozar), Darmstadt Ferienkurse Festival, Festival ArteScienza, iMAL Brussels, Miry Conzertsaal, Festival Traiettorie, Festival Pontino, Festival Orizzonti, Le Strade del Suono Festival, Premio Internazionale della Fisarmonica città di Castelfidardo (PIF), and many others, giving concerts in Germany, Austria, France, Belgium, Holland and Albania. He has performed with important ensembles and orchestras such as the Neue Vocalsolisten, mdi ensemble, FontanaMIX Ensemble, Opificio Sonoro, Orchestra del Teatro “La Fenice” in Venice, Eutopia Ensemble, Dedalus Ensemble and others, also working with artists such as Claron McFadden, Lucy Railton, Jessie Cox, Catherine Lamb and others. He also works as organiser and artistic director of the PNE.UMA – Contemporary Accordion Festival.
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Giorgio Convertito. I am an italian dancer and dance maker based in Helsinki, Finland. I hold a BA in dance and choreography, from the School for New Dance Development, a department of the Amsterdam Theaterschool and have worked since 1993 as a dancer and a choreographer around Europe.
Improvisation has been my main interest and influence in my work and it has been part of many of the projects I have been involved throughout my career, making me one of the leading figure in the improvisation scene in Helsinki.
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Libero Mureddu. Born in Milan in 1975 and based in Helsinki since 2003, he has studied composition at the Conservatory “G. Verdi” of Milan and music technology at the Centre for Music and Technology, Sibelius Academy, University of the Arts Helsinki. He is currently doing his artistic doctorate at the MuTri Doctoral School at the Sibelius Academy. In his research, Libero Mureddu investigates the role of embodied knowledge in a free improvisation performance, and how this knowledge can be observed, analysed, and used to develop free improvisation languages. Libero Mureddu’s doctorate is generously supported by the Kone Foundation.
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Livia Schweizer (b.1994) is a flutist, improvisor, educator and artistic researcher based in Helsinki. She is known for her interest in improvisation and non-conventional music notation as a tool of bringing together creative souls from different backgrounds, ages and cultures.
Supported by Kone foundation and City of Helsinki.
